Giovanni feels both love and horror. When Giovanni mentions Beatrice, Baglioni avers that, educated by her father, she is most knowledgeable but not worth their attention.
That night, Giovanni dreams of Beatrice and the flowers. By chance, he meets Baglioni, whom he has been trying to avoid. As beautiful as a perfect day or a blossom, splendidly garbed like the best of the flowers—to which she seems a sister—Beatrice helps her father. The dread night fades.
Chancing on a flower shop on his way home, Giovanni buys a bouquet. Rappaccini, aging and scholarly, appears in the garden, intently studying the plants as if probing their essences. Beatrice, like her flowers, is attractive and dangerous.
Rappaccini thinks all medicines fall into the realm of poisons produced by plants and that any cures he realizes are accidental products of his experiments.
Though obviously different, they seem very much the same in the dream, mysteriously dangerous. Wearing gloves to avoid contact, he does not sniff the flowers, reversing the approach people have brought to gardening since Adam and Eve.
Lisabetta, the old woman who sets up the room, tells the young man that the garden belongs to the eminent scientist Giacomo Rappaccini. Her magnificence and healthy energy are held together by a wide belt called a virgin zone, commonly worn by maidens.
She graciously accepts it, but as she rushes off it appears to wilt. Science is more important to him than his patients, whom he uses experimentally. He rents a gloomy room in a once noble house.
Trapped as he is in Padua, Giovanni decides that the garden will serve to maintain his relationship to nature. He backs off and, in the faltering voice of someone internally ill, calls his daughter Beatrice. Approaching the luxuriant central plant, Rappaccini covers his nose and mouth with a mask, but these precautions prove inadequate.
He tells Giovanni to finish drinking his Lacryma, and they part. Insulted, Giovanni leaves, but Baglioni, valuing Giovanni as the son of an old Attracted, too, Giovanni throws Beatrice the bouquet. While they are talking, Rappaccini passes.
The entire section is 1, words. She responds in a rich, sunny voice that strikes Giovanni as purple or crimson.
Beatrice especially loves the central plant, which she says rewards her attention with kisses and perfume.Start your hour free trial to unlock this page Rappaccini's Daughter study guide and get instant access to the following: Summary; Themes; Characters; Analysis; Critical Essays; 71 Homework Help Questions with Expert Answers; You'll also get access to more than 30, additional guides andHomework Help questions answered.
- “Rappaccini’s Daughter” – The Theme In Nathaniel Hawthorne’s tale, “Rappaccini’s Daughter,” the dominanat theme is the evil within mankind. This essay intends to explore, exemplify and develop this topic. Rappaccini’s Daughter Essay: The Irony Words | 9 Pages “Rappaccini’s Daughter” – the Irony In Nathaniel Hawthorne’s tale, “Rappaccini’s Daughter,” the reader finds numerous ironies, many of which are explained in this essay.
Nathaniel Hawthorne's Rappaccini's Daughter Essay. Nathaniel Hawthorne's Rappaccini's Daughter American author Nathaniel Hawthorne has been described as a "realist" and one who assesses the American character within the plot lines of his novels. His story, Rappaccini’s Daughter, follows this style.
Written by authorJoyce Maynard, the essay, "Honoring Mothers: Four Generations", begins with a description of the relationship between mother and daughter. The first few lines illustrate how a daughter, typically, would grow up to be much like her mother. Haviland finds that in "Rappaccini's Daughter" Hawthorne's allegory plays between metaphor and metonymy, resulting in a tale that illustrates in a variety of ways how two levels of meaning can coexist and differ.Download